Sin By Jolie Vines

Tom Russo of The Boston Globe gave the film two and a half stars out of four, saying "As usual with Sin City, much of the vibe is about echoing genre touchstones, while the look isn't quite like anything else the digital age has seen."[77] Peter Howell of the Toronto Star gave the film two and a half stars out of four, saying "It's a town of bad women and worse poets, where the fists are hard, the talk is tough but nothing is for real - and nothing doesn't add up to much."[78] Jeannette Catsoulis of The New York Times gave the film a negative review, saying "Punishingly stylized, this marriage of comic-book panels and hard-boiled dialogue has a heaviness that can't be explained solely by its cynicism or lack of wit. It's a blunt instrument whose visual shadings far surpass the kill-or-be-killed storytelling."[6] Betsy Sharkey of the Los Angeles Times gave the film a negative review, saying "The greatest sin of Frank Miller's Sin City: A Dame To Kill For is the way its high style is brought low -- visually stunning, but emotionally vapid, unrelentingly violent, its splendiferous comic book cast mostly squandered."[79] Liam Lacey of The Globe and Mail gave the film two out of four stars, saying "If you showed the Sin City midnight world in smaller doses, as a weekly series on late-night cable television, the slick graphics and cold kink might be more compelling."[80] James Berardinelli of ReelViews gave the film three out of four stars, saying "For those who appreciated Robert Rodriguez and Frank Miller's 2005 campy, kinetic film noir homage, Sin City, the 2014 follow-up, Sin City: A Dame to Kill For is unlikely to disappoint."[81]

Sin by Jolie Vines

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